Armstrong is the author of Crisis & Repetition: Essays on Art and Culture (Michigan State University Press, 2002), which relates art historical movements to concepts from speculative metaphysics. She has written numerous essays for publications including P.S.1/MoMa, Blackflash, Fillip, Leonardo, SubTerrain, and the Kootenay School of Writing. She contributed “A List of Condominium Developments Reimagined as New Media Art Projects” to DAMP: Contemporary Vancouver Media Arts (Anvil Press, 2008), and is the editor of 3 books, Ten Different Things (2018), Art and Disruption (2015), and Electric Speed (2013). She contributed “Top 10 Things Machines Can Do that Humans Can’t Easily Do, According to Schopenhauer, Tweaked to Account for the Existence of the Internet (Number 6 is Epic)” to For Machine Use Only: Contemplations on Algorithmic Epistemology (Guangju Biennale, &&& c/o The New Centre for Research and Practice, 2016) and published in #WomenTechLit (West Virginia University Press, 2017) and Contexts, Forms, and Practices of Electronic Literature (New Binary Press, 2017).
Her current work and research about impacts of AI on art and design and can be found HERE
More about generative art and literature HERE