about

As an artist, writer, and curator Armstrong has over 20 years of experience focusing on art and technology. She works with AI and experimental forms of fiction and text. Renowned as a pioneer in generative art and literature, Armstrong’s work spans generative text and image systems, speculative fiction, blockchain text-poetry, video, dynamic graphic novels, and location-aware fiction, among other conceptually driven hybrid forms.

She has exhibited her work internationally at venues including the Contemporary Art Centre (Vilnius, Lithuania), the Zero One SJ Biennale (San Jose, California), Psy-Geo-Conflux (New York), Akbank Sanat (Istanbul, Turkey), Miami Art Basel with Refraction, the Museum of Crypto Art, Verseverse, Reimagine Tomorrow (1954-2024) curated by EXPANDED.art at the first AI Biennale in 2024 in Essen, Germany, and was included in Ways of Something at Dreamlands: Immersive Cinema and Art 1905–2016 at the Whitney Museum.

She recently presented a solo show, the Spa at the End of Time, at the Museum of Vancouver and Monica Reyes Gallery, which included a Fulldome screening presented in a half-equirectangular VR180 projection system.

She publishes AI Futures for Art and Design, a Substack charting the impacts of AI on creative practice and imagining new futures.